I decided to extend upon this panel, because it'd be easiest to work with this scenery (and the pose is so broad that I was hoping it'd get me thinking broadly.
So, Fagan kicks the dog down the well. What does he do next? Like any cartoon jerk, he listens for that whistle and plop:
I feel like I am getting a better knack for line of action. It takes... planning. It's kind of counterintuitive to me for effortless poses to have a lot of messy attempts before you get it right. Maybe that'll go away with time. Or maybe I've just been overestimating the human capacity of good cartoonists, I don't know.
That left foot doesn't look right... I think I may have made his legs too short, because the detail of the pant cuff messes up the silhouette that I had come to like.
The details on the pants were bad ideas, they lose the form underneath. However, I did come to like the hand on the right.
Anyway, so, next, Fagan runs away, breaking the fourth wall, like good cartoons do.
I don't think the closest hand jibes with the line of action. It seems almost broken-wristed. I was trying to emulate the way Eisenberg does Fagan's (and I think I recognize it from some Tom's) hands held up in a cute, paw-like way. I think if I were to redo it I'd rotate the hand about -45º. In fact, I just might.
Anyway, for context...
Here's panel 1, the copy and jumping point:
Here are my two poses edited in:
Hmm... I drew them out of scale, and the shrinkage does it no justice! Woops... maybe I should have done the lines thicker to match.
EDIT: I played around in Photoshop to reduce some of the problems.
It's better, the forms make more sense now, but it's a bit pinchy on that leg to the left still. Anyone got any tips?Complete with less-broken wrist.