Two new Fagan poses

I decided to extend upon this panel, because it'd be easiest to work with this scenery (and the pose is so broad that I was hoping it'd get me thinking broadly.

So, Fagan kicks the dog down the well. What does he do next? Like any cartoon jerk, he listens for that whistle and plop:



I feel like I am getting a better knack for line of action. It takes... planning. It's kind of counterintuitive to me for effortless poses to have a lot of messy attempts before you get it right. Maybe that'll go away with time. Or maybe I've just been overestimating the human capacity of good cartoonists, I don't know.
That left foot doesn't look right... I think I may have made his legs too short, because the detail of the pant cuff messes up the silhouette that I had come to like.
The details on the pants were bad ideas, they lose the form underneath. However, I did come to like the hand on the right.

Anyway, so, next, Fagan runs away, breaking the fourth wall, like good cartoons do.



I don't think the closest hand jibes with the line of action. It seems almost broken-wristed. I was trying to emulate the way Eisenberg does Fagan's (and I think I recognize it from some Tom's) hands held up in a cute, paw-like way. I think if I were to redo it I'd rotate the hand about -45º. In fact, I just might.

Anyway, for context...

Here's panel 1, the copy and jumping point:


Here are my two poses edited in:


Hmm... I drew them out of scale, and the shrinkage does it no justice! Woops... maybe I should have done the lines thicker to match.

EDIT: I played around in Photoshop to reduce some of the problems.


It's better, the forms make more sense now, but it's a bit pinchy on that leg to the left still. Anyone got any tips?Complete with less-broken wrist.

Rough of last Mickey (for now)

And so, the week and a half of a thousand Mickeys comes to a close (for now).

I think this is some of my best! I love drawing!

This weekend: trees!

Yucky-Headed Mickey

I think it's some sort of law of the universe that one hand always has to present a problem... haha. Anyway, I wanted to try for something a little looser, with more emphasis on asymmetry.
So I made a different sort of error: the head's lopsided. REALLY lopsided. I wanted it to be asymmetrical, not melting. If I were to do this over again, I'd pull in the viewer's right side of the face, wrapping it much more tightly into perspective (the ear would go with it). I'd also try to make it clearer that the hand on the right is supposed to be coming forward in space (you'd be able to see in the sleeve more, etc).

Also, I think I'd round out the right foot on the bottom, more. It needs to be more volumous.

These are coming out a lot more easily and I'm really happy with that. As you might have noticed, I'm sort of trying to use different elements from both the Little Whirlwind Mickey and the Mickey Mouse Club opening Mickeys. Been having a lot of fun and it's exciting to think of these as a little more of my own than the straight-up referenced studies (I feel less silly showing them to people who ask at school).

Improvement

Finally, the finish doesn't feel like a complete downgrade.

However, the arms really don't make a lot of sense and the eyes are up too high on his skull. I don't think there's enough sense of weight on his foot to the right, even if he is tiptoeing. Also, the sock cloth on the end of the toe to the left doesn't look like it's totally logical. It should be pointed more downward, at an angle.

I got the idea to draw this from Jory. Both he and I love the old cartoon trope of bedtime getup, cap and candle included. He draws it on top of a lot of my doodles when we have a class together, so of course he put one of the bazillion Mickeys I've drawn this past week. So, I decided to draw one, myself.

A dapper chap

I didn't have the model sheet for reference in the finish, and it shows in where it's less confident (I'm looking at you, pants). You can see where I changed some stuff in the red; before the arm felt too long and sort of awkward, so I brought it in, but the hand wasn't as good. I just gotta keep reminding myself this is a learning process...

Meh, it's a start

It drives me nuts when I, while trying to finish a picture, notice problems... then when I look at the finish I notice that I like the original more. The eyes don't work right in space, either.